Earnings calls / BASILIC · July 2, 2026

Basilic Fly Studio Ltd Q1 FY27 Earnings Call Summary

Basilic Fly Studio reported FY26 consolidated revenue of ₹408 crore, up 34.1% YoY, and EBITDA of ₹85 crore at a 20.9% margin, while standalone India revenue grew 64% to ₹120 crore. The real driver was Hollywood strike recovery and offshoring demand, but consolidated margins absorbed 14 senior leadership hires and Q4 projects rescheduled to FY27, compressing EBITDA growth to 19.2%. Management guides FY27 revenue growth in line or better than FY26 with 2-2.5% EBITDA margin improvement, backed by a ₹232 crore order book and ₹456 crore bid pipeline, plus Bengaluru headcount tripling to 100. Main risks are quarterly revenue timing volatility from film schedules, aged receivable recovery only expected by Sep-Dec 2026, and over 50% revenue concentration under Netflix.

Revenue
Margin
Demand
Guidance
Tone

Event Participants

Executives

4 Balakrishnan, Gaurav Mehra, Yoga Lakshmi, Zameer Hussain

Analysts

10 Abbas Valla, Anuj Sonpal, Bhavya, Deepak Parak, Disha, Dishon Jain, Manish Gupta, Rahul Munay, Ravi Purohit, Sheetal Parikh

Financials & KPIs

Metric Reported Commentary
Consolidated operational revenue ₹408 crores +34.1% YoY vs ₹304 crores; Q4 FY26 impacted by project rescheduling to FY27; 73% 3-year revenue CAGR
India standalone revenue ₹120 crores +64% YoY vs ₹73.5 crores; post-Hollywood strike revival driving offshoring demand
Consolidated EBITDA ₹85 crores +19.2% YoY; 20.9% margin; compression from 14 senior leadership hires and Q4 project timing
Standalone EBITDA ₹51.9 crores 43.1% margin, up 60 bps from 42.5%; high-volume offshore execution engine profitability
Standalone PAT ₹31.6 crores +84.8% YoY; 24.2% margin, +155 bps expansion
Order book ₹232 crores End of FY26; includes sizable Q1 FY27 wins not yet disclosed
Bid pipeline ₹456 crores All-time high; ~50% in advanced conversion stage; bid ticket size now 1.5-2x historical average
Consolidated net worth ₹344 crores As of March 31, 2026
Debt-to-equity 0.03x Nearly debt-free balance sheet
DSO 96 days Consolidated; aged receivable recovery underway - monthly collections Mar-May ~2x average
Cash from operations ₹22.9 crores Improved from ₹20 crores prior year
Employee cost ratio 68% of revenue Consolidated post-Olympus (vs 30% pre-acquisition India-only); overseas cost 74-75% of overseas revenue = key leverage point
Employees ~780 450 India (250-300 Chennai, 150 Pune, 35 Bengaluru), 200+ London, 130 Paris, 5-10 US/Canada

Geographic & Segment Commentary

  • Europe: Largest market at 60% of revenue. U.K. subsidiary (Olympus, 70% acquired July 2024) houses 200+ with two decades of BAFTA/Emmy legacy; Paris has 130 staff including CCO and a 125-member Bollywood-servicing team. France momentum strong: government raised incentive percentage and expanded qualifying expenditure (40% VFX tax credit; 10-15% non-remittable spend deployable to India).
  • India: Standalone revenue ₹120 crores, +64% YoY with 43.1% EBITDA margin. 450 artists across Chennai/Pune/Bengaluru executing full-service compositing and CG work; mix of subcontract work and growing direct premium engagements. Academic partnerships with SRM and Loyola College Chennai for talent pipeline.
  • North America: 21% of revenue; small footprint (5-10 in LA/NY/Vancouver) focused on production-side supervision and business development. Targeted M&A progressing rapidly to enter new geographies, strengthen North American footprint, and diversify into immersive experiences, commercials, and gaming.
  • Bengaluru: 35 high-end CG artists (up from 0 in October 2025), targeting 100 FTEs by end-FY27; works remotely connecting directly to London/Paris missions; key margin lever for offshoring.

Company-Specific & Strategic Commentary

  • Global M&A Strategy: Recent QIP-funded inorganic expansion; Olympus acquisition (July 2024) delivered direct client access plus industrial-scale offshore production. Next targeted North American M&A at advanced stage - CFO states it is a key FY27 event determining long-term strategy directed toward immersive experiences, commercials, and gaming.
  • AI Integration: Two-track approach - predictive non-generative AI (Shortgrid pipeline with ML-driven idle capacity detection, real-time task reallocation, scenario forecasting; gamified AI performance monitoring) and production-grade generative AI (ComfyUI workflows, internally trained model libraries, distributed GPU framework) delivering 3-5x faster iteration across concept art, previs, shot vis. De-aging work on Thug Life (Kamal Hassan) well-received; hybrid cloud/on-prem shift reduces computation costs ~40%.
  • Front-End Leadership Build: 14 senior creative and business development veterans onboarded from Netflix, Disney, ILM, DNEG, MPC across US/UK; converting to sales leads and enabling 1.5-2x higher average bid ticket sizes; initial costs absorbed in FY26 margins.
  • Creative Prestige: Three collaborative projects in top 20 Academy Award nominations (Mission Impossible, Electric State, Shutterburd short - official Oscar nomination); 430+ projects delivered globally.
  • Pricing Model: Per-day cost basis (8-hour/day) per discipline across London, Paris, and India; India charges 4-5x less than London. India business largely T&M/subcontract; overseas mix of T&M (smaller projects) and fixed milestones (larger series).

Guidance & Outlook

Metric Guidance / Outlook Commentary
FY27 revenue growth In line or slightly better than FY26 (34.1% YoY) Backed by ₹232 cr order book, ₹456 cr bid pipeline, marquee projects slated (Harry Potter), France demand surge; Q1 wins achieved though not disclosed
EBITDA margin +2-2.5% improvement expected in FY27 Offshoring mix shift (Bengaluru scaling), industry revival, more on-site work, AI operational efficiency; leadership hires now converting to sales
Bengaluru headcount 100 FTEs by end-FY27 Currently ~35; tripling expected
Aged receivable recovery Full recovery by Sept-Dec 2026 Mar-May monthly collections ~2x average; no write-off plans stated
North American M&A Early closure in FY27 Advanced stage; targets immersive, commercials, gaming diversification

Risks & Constraints

Risk Context
Revenue timing volatility Revenue recognition tied to shoot schedules, actor availability, and permissions; Q4 FY26 projects shifted to FY27 causing quarterly de-growth. Management emphasizes no contract losses, but quarterly variability is inherent to the industry.
Client concentration >50% of revenue under Netflix as contractual umbrella, followed by Amazon; appears as concentration though work spans multiple producers. Exposure to streaming platform budget decisions.
AI security & compliance Client approvals required for AI usage; strict trail logging, TPN/Apple/Disney certifications, Red Team and dark web monitoring; AI models deliberately kept off-cloud for security - operational overhead and new process requirements.
Capital intensity of AI AI requires inevitable capex investment; management notes companies without investment appetite face higher operating costs and survival risk - competitive differentiation pressure.
Aged receivables Hollywood strike legacy debtors taking longer than expected industry-wide; DSO 96 days consolidated (124 days flagged by analyst); recovery expected Sep-Dec 2026, partial industry-wide timing.

Q&A Highlights

Employee Footprint & Cost Structure (Sheetal Parikh)

  • Question: Location-wise headcount and specialization across Chennai, Pune, London, Paris, Vancouver?
  • Answer: (Balakrishnan) Chennai 250-300, Pune 150, Bengaluru 35, London 200+, Paris 130, US/Canada 5-10. India handles full-service compositing/CG; London holds VFX supervisors/producers serving Netflix, Amazon, Warner Brothers, HBO; Paris houses CCO and 125-member Bollywood project team; LA/NY has production-side supervisors and business development.
  • Question: Employee cost rose to 68% of revenue FY26 from 30% pre-Olympus - sustainable range?
  • Answer: (Gaurav Mehra) Not apples-to-apples - 30% was pre-acquisition India-only; overseas cost is 74-75% of overseas revenue, the key leverage point; offshoring more high-end work to India (Bengaluru expansion) will drive improvement.

FY26 Revenue Timing, Order Book & Margins (Disha)

  • Question: What caused FY26 revenue de-growth?
  • Answer: (Gaurav Mehra, Balakrishnan) Q4 FY26 projects rescheduled to FY27 due to shoot timing, actor availability, permissions; common in the industry, shifts of 3-4 months frequent; no contracts lost - purely timing.
  • Question: Order book numbers?
  • Answer: (Balakrishnan) ₹232 crores order book; ₹456 crores bid pipeline, ~half at advanced conversion stage.
  • Question: FY27 margin guidance?
  • Answer: (Gaurav Mehra) Expect 2-2.5% margin improvement driven by: offshoring contribution increase, industry/offshoring demand revival, more on-site work, and AI-driven operational efficiency.

Receivables & DSO (Manish Gupta)

  • Question: Receivable days hit 124 in FY26 - progress on recovery and any write-off plans?
  • Answer: (Gaurav Mehra) Good collection against aged receivables; Mar-May monthly average collection ~2x normal; full recovery expected by Sept-Dec 2026; no write-off plans mentioned.

AI Impact on Pricing Environment (Sheetal Parikh)

  • Question: With AI lowering VFX production cost, any pricing pressure or fee compression in recent bids?
  • Answer: (Balakrishnan, Gaurav Mehra) AI opens new opportunities - production shifts from physical shoots to digital, increasing VFX scope; pricing pressure largely offset by volume growth and lower operational costs; AI expands demand to producers who previously couldn't afford VFX.

Pricing Model & T&M vs Fixed (Sheetal Parikh)

  • Question: What portion is fixed price vs T&M; pricing differences Hollywood vs domestic OTT?
  • Answer: (Balakrishnan, Gaurav Mehra) Pricing based on per-day cost (8-hour day) per discipline; India is 4-5x cheaper than London. India business largely T&M from subcontracting; overseas mixture - smaller projects T&M, larger series fixed milestone-based covering pre-conceptualization, environment/creature creation.

India VFX Right-to-Win vs Historical Failures (Ravi Purohit)

  • Question: Past Indian studios (Crest Animation, Tata Elxsi) failed to sustain - what's different now?
  • Answer: (Balakrishnan, Gaurav Mehra) Talent readiness has transformed - ILM moved to Mumbai post-Covid, Netflix opened in Hyderabad, Rodeo Effects started Bengaluru; global studios now see India as inevitable for cost matching; government subsidies (30-50% including France 40%); changing viewer expectations (Kalki) expanding VFX demand; Olympus model combines premium front-end with offshore execution.

AI Competition & Entry Barriers (Dishon Jain)

  • Question: Will AI make it easier for peers to enter and for customers to in-house VFX?
  • Answer: (Balakrishnan) 20-year legacy of workflows, asset libraries, and tool sets creates durable advantage; new entrants lack the asset base AI models need; AI adoption compliance/trails add friction; AI also creates new work (low-budget CG animals) expanding total addressable market.

Client Concentration (Bhavya)

  • Question: Top 5 clients contribute 60% of revenue - why so skewed?
  • Answer: (Gaurav Mehra) >400 is projects, not clients; Netflix umbrella contributes >50% - multiple producers work under Netflix contract, so concentration is contractual platform exposure rather than single-producer dependency.

FY27 Outlook & M&A Update (Anuj Sonpal)

  • Question: FY27 outlook; any material change in last 3-4 months; update on $5-7 million order and M&A?
  • Answer: (Balakrishnan, Gaurav Mehra) Growth in line or better than FY26; France momentum with expanded incentives (increased qualifying expenditure); marquee projects slated for FY27 (Harry Potter); Q1 saw sizable wins added to order book; M&A update to be disclosed at Q1 results; France U.K. 10-15% non-remittable spend allows 50-60% of work to be done in India.

Key Takeaway

Basilic Fly Studio delivered consolidated revenue of ₹408 crores in FY26 (+34.1% YoY) with India standalone revenue surging 64% to ₹120 crores on Hollywood strike recovery, while consolidated EBITDA of ₹85 crores (20.9% margin) absorbed planned investment in 14 senior creative/BD hires. Standalone EBITDA margin expanded to 43.1% and PAT grew 84.8% to ₹31.6 crores. The company closed FY26 with a ₹232 crores order book and all-time-high ₹456 crores bid pipeline, alongside three Academy Award top-20 nominations. Growth strategy centers on direct client proximity via U.K./France subsidiaries, offshoring scale through Chennai/Pune/Bengaluru (targeting 100 in Bengaluru by end-FY27), AI-driven efficiency (3-5x faster iteration; 40% computation cost savings), and an advanced-stage North American M&A targeting immersive/commercials/gaming. Management guides FY27 revenue growth in line or better than FY26 with 2-2.5% margin improvement, supported by marquee projects (Harry Potter) and expanded French tax incentives. Watch-points include quarterly revenue timing volatility from film schedules, aged receivable recovery through Sep-Dec 2026, and >50% Netflix client concentration.

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